Best Fuzz Pedals

Top 10 Best Fuzz Pedals On The Market (December 2021)

The Best Fuzz Pedals On The Market (December 2021)

So you've heard a fuzz pedal would be perfect to take your sound to the next level. Now you're looking for the best fuzz pedals on the market. Well, we've found all the best fuzz pedals and presented them in this complete review. But first, what exactly is a fuzz pedal?

A fuzz pedal is a type of pedal that uses a clipping device to create a fuzzy or distorted sound. Fuzz pedals are very popular in the punk and garage rock genres. This is because they provide an interesting sonic texture that's hard to achieve with other guitar effects. They tend to be used frequently in conjunction with distortion, reverb, or delay effects.

The Best Fuzz Pedals On The Market Buyers Guide (December 2021)

  • 1. ThorpyFX Fallout Cloud V2
  • 2. Old Blood Noise Endeavors Haunt
  • 3. Black Arts Toneworks Pharaoh
  • 4. BOSS FZ-5 Fuzz
  • 5. Vick Audio 73 Ram's Head
  • 6. JHS Mini Foot Fuzz V2
  • 7. MXR M236 Super Badass Variac Fuzz
  • 8. JHS Pedals 3 Series Fuzz
  • 9. Electro-Harmonix Nano Big Muff
  • 10. Caline CP-504 M Fuzz
ThorpyFX Fallout Cloud V2 Image

ThorpyFX Fallout Cloud V2

  • ✔ Features Sustain, Treble, Volume And Bass Control Knobs
  • ✔ Build In A Bomb Proof Enclosure
  • ✔ True Bypass Circuit
  • ✔ Made In England, United Kingdom

A unique and versatile pedal that takes the classic cloud and tone and adds a new and improved circuit with many new features while retaining the original's sonic character.

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This pedal has been designed to create a thick fuzz that is untouched by limiting or clipping circuitry. This provides an infinite amount of sustain and is very expressive when used with pedals such as the Big M-Pi. The ThorpyFX Fallout Cloud V2 fuzz pedal was designed to have two circuits: one for fuzz and one for boosting. The fuzz circuit will always control the amount of low end distortion in your signal, while the boost circuit is able to be mixed in with your tone to give it more clarity and punch.

The ThorpyFX Fallout Cloud V2 Fuzz Pedal has great features including three different fuzz altering control knobs. Which allows for giving your signal more or less fuzz depending on how hard you're planning on pushing the pedal. You also have a volume knob to increase the output without changing it in any way.

The Fallout Cloud is a powerful fuzz pedal with a lot of features. It has an LED Indicator, True Bypass Switching, and a unique design. Its unique design gives it extra durability and makes it even more appealing to the buyer. Overall, the Fallout Cloud provides a more diverse fuzz sound without losing any of the original tone quality.


Old Blood Noise Endeavors Haunt Image

Old Blood Noise Endeavors Haunt

  • ✔ Gates Fuzz
  • ✔ Clickless Switch
  • ✔ Huge Range Of Fuzz Sounds
  • ✔ Beautiful Artwork By Daniel Danger

The Old Blood Noise Endeavors Haunt fuzz pedal is a must-have effect for any post-punk, indie, alternative, or dream-pop band. Haunting, creamy, and well-defined fuzz that you can't get enough of.

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The Haunt Fuzz Pedal can be used to create many different tones and textures. Such as blues, rock, punk, metal and so on. It has 5 control knobs namely volume, fuzz, gate, mis and tone. There are two switches for preserving your tone or adding a lower level of distortion. With the help of its silent footswitch you can go from clean to full fuzz without any hassle. It has an LED that provide feedback for the status of the circuit.

The Haunt fuzz pedal creates a perfect blend of vintage and modernity. The five control knobs and two switches allow you to create a wide range of sounds from your guitar. The Haunt is one of the best fuzz pedals that can give you both an old school or modern sound. The tone it gives is extremely versatile and is perfect for solos, chugging, chords, riffs, etc. It is a gated fuzz effect that doesn't use a lot of power. It can also be used for many different genres of music. It's a pedal that needs to be played with a lot of feeling and emotion.

The Haunt fuzz pedal by Old Blood Noise Endeavors is one of those pedals that has been around for years. However it has never been as popular as other fuzz pedals. In the past, the pedal was mainly used by die-hard fans of the company. That is to say it was hard to find and young musicians might not have heard about it before.


Black Arts Toneworks Pharaoh Image

Black Arts Toneworks Pharaoh

  • ✔ Durable Gold Chassis
  • ✔ Tone, High, Fuzz And Volume Control Knobs
  • ✔ Hi/Lo Toggle And Diode Switch
  • ✔ True Bypass Circuit

The Pharaoh fuzz pedal uses the same famous IC found in the legendary big muff. The Pharaoh adds an additional tone control to allow you to dial in the perfect sound.

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The Pharaoh fuzz pedal features four knobs - volume, tone, high and fuzz. It has an input jack and an output. The pedal's clipping can be adjusted using the hi/lo switch on the face of the pedal. Choose 'lo' for more headroom and less clipping. Choose 'hi' for the opposite, as in less headroom and more clipping.

The Pharaoh is a fuzz pedal created by Black Arts Toneworks. It creates a thick, overdriven sound with a lot of sustain. The pedal would be the perfect addition to any guitarist's pedalboard. It has high-quality construction, along with many different sounds which can be explored with the help of its 4 knobs.

Black Arts Toneworks Pharaoh fuzz pedal is one of the most favorably reviewed fuzz pedals out there. It received a 4/5 star rating from Tone Central, and it also got a 5/5 rating from Guitar World Magazine. The Pharaoh fuzz pedal has been praised for being capable of providing limitless tones for music making sessions. Its versatility allows musicians to experiment with new ideas without any problem, making it one of the best fuzz pedals on the market.


BOSS FZ-5 Fuzz Image

BOSS FZ-5 Fuzz

  • ✔ A Classic Fuzz Pedal
  • ✔ Creates Vintage Fuzz Sounds Like The Pedals Of The 60s
  • ✔ Boost For More Aggressive Tones
  • ✔ 5 Year BOSS Warranty

A super powerful distortion pedal with a wide variety of tones. Use it for fat, yet tight bass tones. Screaming leads. Or crunchy rhythm work. This pedal is capable of it all.

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A super powerful distortion pedal with a wide variety of tones. Use it for fat, yet tight bass tones. Screaming leads. Or crunchy rhythm work. This pedal is capable of it all.

The FZ-5 Fuzz pedal is a distortion pedal created by BOSS. A company known for its ability to create innovative musical devices. This fuzz pedal comes in an aluminum case with a classic look and easy-to-use features. It also has two modes of operation, both of which are adjustable to your personal preferences. This pedal has a crystal silicon transistor and uses an ultra low noise circuit for its performance. The FZ-5 Fuzz pedal from BOSS allows guitar players to create the sound of fuzz guitar. It delivers a distorted, low-volume output with a lot of sustain. This pedal has been used by groups such as Nirvana and Metallica to produce their distinctive sounds.

For decades, guitarists have relied on the Fuzz pedal to achieve their desired fuzz sound. The BOSS FZ-5 is one of the most popular Fuzz pedals on the market, with a sound that is unmistakable. It's not just for guitarists, either - many artists love using it in their studio to get unique textures and tones.


Vick Audio 73 Ram's Head Image

Vick Audio 73 Ram's Head

  • ✔ Reproduction Of The Iconic Pedal Of The 70's
  • ✔ 3 Way Mid Toggle Switch
  • ✔ Volume, Tone And Sustain Control Knobs
  • ✔ Made In The USA

This pedal has a wide dynamic range, an ultra-smooth fuzz response, and a strong low end. It is designed to perform equally well with both guitars and basses.

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The Vick Audio 73 Ram's Head is a classic fuzz pedal that has a rich and warm high-gain sound. It is a great pedal for guitarists who love the fuzz sound. It features three different gain stages. Each accessible via the onboard switch. With the cleanest possible distortion, making it perfect for lead playing. With its versatile tone control settings you can make this fuzz pedal your new favorite device on the pedal board.

The Vick Audio 73 Ram's Head fuzz pedal was first released by the company in the late 1970s. The first models were made from a standard aluminum alloy. Later on it came out with a die-cast zinc version as well as a black chrome plated model. The 73 Ram's Head is a vintage fuzz pedal from the 1970s. A highly sought after pedal with a lot of versatility. It is modelled after the tone of Jimi Hendrix's Grand Wazoo Fuzz or Roger Mayer's Green Russian.

The 73 Ram's Head was designed as a fairly pink sounding fuzz with less gain and more highs. As opposed to some other vintage pedals that are more mid-range-oriented. It is fairly hot and it can be used for many different genre. Such as psychedelic rock, punk rock, blues and more. The Vick Audio 73 Ram's Head fuzz pedal is a classic Fuzz Face with an impressive range of tones from soft to heavy distortion.


JHS Mini Foot Fuzz V2 Image

JHS Mini Foot Fuzz V2

  • ✔ Gated Fuzz Through To Infinite Sustain
  • ✔ Volume And Fuzz Control Knobs
  • ✔ Hi-Gain/Low-Gain Toggle Switch
  • ✔ Vivid Pink Chassis Design

A compact, easy-to-use and highly-versatile silicon fuzz pedal. Use it as a nice boost to push your amp into overdrive. Use it as a boost and overdrive combined.

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The JHS Mini Foot Fuzz V2 is an affordable, compact, and simple way to get on the fuzz bandwagon. With two knobs, one for volume and one for fuzz, this pedal is an easy option for new players or anyone looking to add a little more dirt to their sound without breaking the bank.

The Mini Foot Fuzz V2 is a discrete transistor fuzz pedal designed by JHS and it's easy to customize and dial in your sound. It uses an optional 9-volt power adapter and has a low noise floor. It has been improved with a few new features such as a built-in volume knob and an LED indicator light. This pedal is great for garage rock, metal, and stoner rock. It can produce anything from subtle fuzz to extreme sustain. This fuzz pedal is perfect for the guitarist who likes to switch up their sound at a moment's notice.


MXR M236 Super Badass Variac Fuzz Image

MXR M236 Super Badass Variac Fuzz

  • ✔ True Bypass Circuit
  • ✔ High Quality Metal Chassis
  • ✔ 4 Control Knobs Including Variac Voltage Control
  • ✔ Silicone Circuitry

The MXR M-236 Super Badass Variac Fuzz Pedal is a reissue of a fuzz pedal that was originally made in the '70s. It sounds similar to an octave fuzz, but it's actually a completely different circuit.

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If you are into the garage rock scene, then you need to know about this guitar effects pedal. The Super Badass Variac Fuzz is an incredibly versatile guitar effects pedal. Capable of creating the smoothest tones in any genre. It's also very affordable and easy to use. MXR M236 is a pedal-based guitar effects processor. Designed to add an earthy, vintage tone and clipping fuzz to your instrument. It's a versatile effect pedal with 4 different knobs that allows the player to create unique sounds.

The MXR M236 Super Badass Variac Fuzz is designed to emulate the sound of an old tube-style amplifier. The M236 contains a gain knob for your lead and distortion, as well as 3 knobs that control variac, output and tone. It is a popular pedal with guitarists who want to recreate the sound of an old amp. It contains slightly more than 8,000 hand-soldered transistors and can also be used on bass guitars and keyboards.

The Super Badass Variac Fuzz is capable of producting heavy fuzz tones. The unit can be set to vary between tones by using the tone knob. This pedal is designed with a super tough metal chassis to withstand the rigors of the road. It also features an on/off switch for true bypass, so you can use your guitar amp without any tonal leakage. This pedal is great for players who need the flexibility of many different fuzz tones in one stompbox.


JHS Pedals 3 Series Fuzz Image

JHS Pedals 3 Series Fuzz

  • ✔ 3 Configuration Knobs, Volume, Bias And Fuzz
  • ✔ Bass Boosting Fat Toggle Switch
  • ✔ JHS Are A World Class Brand In The Effects Pedal Market
  • ✔ Made In Kansas City, USA

The Fuzz Pedal is the 3rd generation of this classic JHS fuzz. It was designed to be more aggressive, with tighter bass. It has a switchable fat mode in the pedal, which gives it a bass boost to the overall sound.

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The Fuzz Pedal is the 3rd generation of this classic JHS fuzz. It was designed to be more aggressive, with tighter bass. It has a switchable fat mode in the pedal, which gives it a bass boost to the overall sound.

The JHS Pedals 3 Series Fuzz has three different sounds all in one pedal. There is a silicon transistor oscillator, which gives you smooth and articulate distortion. The second is the sound of a germanium diode oscillator which gives you more pronounced and dynamic distortion. The third is the traditional fuzz face sound that we all know and love.

A fuzz is a guitar effect that produces a distorted sound when the volume output signal is increased significantly. It does this by clipping the audio signal at the peaks of its waveform. And then oscillating between these clipped sections. The Series 3 Fuzz has three controls: volume, bias and a fuzz knob to customize your sound. As well as a fat switch to give you a bass boost for a fatter sound. This fuzz is a pedal that can achieve really heavy sounds, but it is also very easy to use.


Electro-Harmonix Nano Big Muff Image

Electro-Harmonix Nano Big Muff

  • ✔ Electro Harmonix Are An Industry Leader
  • ✔ Nano Big Muff Pi Offers Portability The Original Couldn't
  • ✔ Amazing Distorted Fuzz Effect
  • ✔ True Bypass Circuitry

The Nano Big Muff Pi is a compact version of the classic NYC Big Muff Pi. It features the same controls as its predecessor, which allows a wide range of fuzz tones.

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The Nano Big Muff was designed with the guitarist in mind. This Fuzz pedal is a high-quality, compact and easy to use. The Nano Big Muff offers a wide variety of sounds from clean to heavy distortion. It is a high range fuzz which provides a wide range of tones from bright and chimey to mid-heavy and crushing. The pedal has a very low noise floor & also includes a built-in noise gate for the ultimate in smooth sounding fuzz.

The Nano Big Muff is a classic analog fuzz pedal, designed to provide the classic Big Muff sound. Created by David Gilmour of Pink Floyd fame, it's known for its fuzzy tone and its ability to sustain notes with ease. It is a compact, plug-in-play fuzz box designed for guitar. With its small size, it's very easy to carry around and take with you wherever you go. It's highly versatile and can be used for both clean and overdriven tones, as well as high gain distortion.


Caline CP-504 M Fuzz Image

Caline CP-504 M Fuzz

  • ✔ Robust Aluminum Chassis
  • ✔ Level, Tone And Fuzz Control Knobs
  • ✔ Vivid Red Design
  • ✔ True Bypass Circuitry

The M-Fuzz features a robust sound, its wide range of tone, from a soft overdrive into a powerful and aggressive fuzz allows the player to easily expand and deepen the tonal palette of their guitar.

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The CP-504 M-Fuzz gives you an overdrive tone with low end growl and harmonics for much more fluid playing. The type of pickup built into this pedal allows for superb musicality in addition to extremely versatile tones from this great fuzz.

It's a classic fuzz pedal that has been around for years. This pedal features a nice blend of typical fuzz sounds with some more modern tones. If you're looking for a new sound, the CP-504 might be what you're looking for. It's a high quality and low cost effects pedal that offers a wide range of tones and sounds.

The Caline CP-504 M-Fuzz is designed to produce a variety of tones for your guitar. It has three controls: tone, level and fuzz. It's designed to easily connect into any type of signal chain. It has an input and output that can be daisy chained with other pedals or amplifiers.


More Information Regarding Fuzz Pedals (2021)

What are Fuzz Pedals?

A fuzz pedal is a guitar effect that introduces an uncontrolled amount of distortion. Usually by clipping the signal with a transistor.

Fuzz pedals are not new to music. They were first brought into the limelight in the 1960s by guitarists Jimi Hendrix and Eric Clapton. The purpose of using fuzz pedals was to create an aggressive sound with distorted notes. Fuzz pedals are mostly used in hard rock, heavy metal, doom metal, grunge and stoner metal genres.

How do They Work?

The fuzz pedal effect work by producing a sound that is similar to an overdriven guitar. The sound is created when the guitar is plugged in with a distortion pedal. Which causes the signal to be heavily distorted.

The term "fuzz" was used in the early days of rock, blues and folk music to describe overdriven guitars. Nowadays, many people use "fuzz pedals" to create distortion effects that are synonymous with rock, blues and even country music.

A fuzz pedal uses a transistor-based circuit. That can produce sounds ranging from clean to heavy distortion by bending the input signal. It also usually has two other types of controls: gain and tone knob. The tone knob controls how much high-frequency content is emitted. While the gain knob controls how much low-frequency content is emitted.

Fuzz Pedal History

Fuzz pedals are electronic devices used to create an abrasive sound. But what exactly does the word 'fuzz' mean?

A fuzz is an analog electronic circuit that generates a sustained, distorted signal. One of the first fuzz pedal was popularized by Jimi Hendrix. Which used the technology of a transistorized clipping device to produce the buzzy sound found in fuzz pedals today.

Does Fuzz Make Music Better?

Fuzz guitar pedals are one of the most popular guitar effects. It is a staple in the modern guitar world. They can be found in almost every single rock band out there. This has been the case since its popularity increase in 1966.

Fuzz pedals were originally made to distort guitar sounds. While giving them a thick sound quality that could be heard above the noise on stage. Nowadays, they are used by more people for different purposes. From enhancing distortion to creating an entirely new sound.

How Can They Help You?

The fuzz pedal has become a go-to pedal for guitar players in recent years. Many guitarists like the fuzzy tone it produces. But before you buy one, you should know what type of fuzz pedal it is.

There are two types of fuzz pedals - vintage and modern. Vintage fuzz pedals are older designs that give off a warmer sound. They were mostly made by hand in the late '60s and early '70s. Modern fuzz pedals use chips to produce the fuzzy sound. They also have more features for modern players to choose from.

Are They Good For Beginners?

Fuzz pedals are usually seen as a guitar effect. However, they are also popular with bass players. They are really versatile and can be used in different ways with different instruments.

Many beginners make the mistake of choosing an overdrive pedal as their first fuzz pedal. This is not the best choice for beginners. Because they don't provide the same range of sounds as fuzz pedals do. A good first fuzz pedal should be more subtle and less intense than others available on the market currently.

Are They Good for Rock, Metal and Jazz Guitarists?

A fuzz pedal is technically a type of distortion pedal. In which the input signal is put through an amplifier's input stage. Which drives or clips it with a sufficiently strong signal to create what some call "fuzz". The tone produced by these pedals ranges from subtle distortion to wild, sustain-filled sound.

Fuzz pedals are great for metal and rock guitarists. Mainly because they give them plenty of distortion without having to rely on any other effects.. They also have the ability to be turned off so that it does not color your tone.

Different Types You Should Know About

Fuzz pedals are used in guitar playing to produce a variety of sounds. The most common types of fuzz pedals are called fuzz, octave fuzz, and octave plus fuzz. They can be found on various guitar players’ pedal boards because of their versatility and sound choices.

  • Wet (fuzz) - moistens the tone by adding more low-frequency content to it

  • Octave (fuzz) - adds additional high frequencies to the dry tone

  • Octave Plus (fuzz) - adds additional high frequencies onto an already boosted octaves

It is always tempting to try out new effects because we love the sounds they make. However it’s important to keep the context of what you’re playing in mind. For example, if you were playing a song that had a quiet passage. Using fuzz might not be your best option. As it can overwhelm the song and its instrumentation.

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